• I want to make my art accessible without compromising its integrity
  • I make traditionalist art for a modern society
  • I'm loathed and inspired by feminism in equal measures
  • In an ideal society, there would be no need for feminism
  • Everything's been done already; re-invent, re-cycle, re-juvinate
  • Foremost, the very act of painting is what I deem most important to me.

    The process of observation, making marks, perfecting a style, the smell of oils and white spirit is that which transposes me to another reality. For me painting is an escapist pursuit and a cathartic process.

    The themes within my work enable me to catapult subjects, thoughts and emotions about the person I am to the audience. Of course I want my work to be seen as it is often simpler than explaining myself in words.

    We live in a mainstream society that perpetuates and reinforces sinister laws of gender. I deconstruct magazines, internet articles, history and folklore to construct new ideas and explanations developed through the use of sketchbooks. In a way I am offering new suggestions and highlighting some age-old “problems”.

    Just as importantly, colour is an integral part of my work. I have an ongoing love affair with colour starting from an early age, upon finding works by Matisse. To this day I am still discovering it, exploring it and inspired by it. Colour adds a vital dimension to my work--it is emotional, primal, natural and liberating.

    Alongside Matisse, other inspirational artists to me are; Cindy Sherman, Guy Bourdin, Frida Kahlo, Jackson Pollock, Georgia O’Keeffe, Lucian Freud, Paula Rego and Marlene Dumas. All offer a vivid account be it in colour, narrative or both.



    Karen Stamper, 2006

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