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I
want to make my art accessible without compromising its integrity
I make traditionalist art for
a modern society
I'm loathed and inspired by
feminism in equal measures
In an ideal society, there
would be no need for feminism
Everything's been done already;
re-invent, re-cycle, re-juvinate
Foremost,
the very act of painting is what I deem most important to me.
The
process of observation, making marks, perfecting a style, the smell of
oils and white spirit is that which transposes me to another reality.
For me painting is an escapist pursuit and a cathartic process.
The
themes within my work enable me to catapult subjects, thoughts and emotions
about the person I am to the audience. Of course I want my work to be
seen as it is often simpler than explaining myself in words.
We live
in a mainstream society that perpetuates and reinforces sinister laws
of gender. I deconstruct magazines, internet articles, history and folklore
to construct new ideas and explanations developed through the use of sketchbooks.
In a way I am offering new suggestions and highlighting some age-old “problems”.
Just
as importantly, colour is an integral part of my work. I have an ongoing
love affair with colour starting from an early age, upon finding works
by Matisse. To this day I am still discovering it, exploring it and inspired
by it. Colour adds a vital dimension to my work--it is emotional, primal,
natural and liberating.
Alongside Matisse, other inspirational artists to me are; Cindy Sherman,
Guy Bourdin, Frida Kahlo, Jackson Pollock, Georgia O’Keeffe, Lucian
Freud, Paula Rego and Marlene Dumas. All offer a vivid account be it in
colour, narrative or both.
Karen Stamper, 2006
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